<aside> ❕ Highlighted boxes marked by the 👁️‍🗨️  emoji provide an Ai summary, followed by the original written text by Lawrence.

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<aside> 👁️‍🗨️ The text below describes a unique form of photography that captures the moment when cosmic waves transform into photons, and explores the idea of using this form of photography to connect the viewer's own psychic fields with the solar macrocosm. The author uses clear-diffractive, color, and polarizing filters with heat-sensitive infrared film to create images that preserve the remains of heat as light. The text also discusses the concept of bi-modal photography, which captures the transformation of cosmic waves into photons that retrace their origin as waves. The author argues that this form of photography has the power to bond with cosmic energy and make latent chromatic frequencies retrievable to initiated individuals through the use of archetypes and other polarized figures. The text also touches on the idea that the process of analog representation itself can cause repression, but that this can be overcome through the simultaneous crystallization/discharge of local, solar, and psychic forces.

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THESE TEXTS ARE REWRITTEN IN LIGHT OF THE ABOVE, in multiple forms of Parallax for viewers.

These photographs don't just reflect reality, they illuminate it. This SPECULATIVE optics expands the spectrum of regular color slide film. I combined clear-diffractive, color, & polarizing filters with heat-sensitive Infrared film to engrave & preserve the Remains of heat as Light. This work is an Archetypal lmage-based system of crystalline circuits designed to Optically activate, polarize, & (re)connect our own latent Psychic fields with the Solar Macrocosm, via systems of Figures fusing symbolic form & narratives with lived experience in natural & urban settings. This intro uses Quantum physics to frame these ideas.

"Bi-modal Photography" refers to this film's unique capacity to capture the moment of transformation of cosmic waves into photons that retrace "their" origin AS WAVES.

This sub-atomic event in Particle Physics is described as following: "Photons exist only as waves moving through whatever space they encounter when they are not seen! THE MINUTE THEY ARE VIEWED knocking into the retina, or a photocell, THEY ARE ANNIHILATED. At that instant of the "death" of the photon, it behaves as if it were a particle. According to relativity theory...no time passes at all. To observers of the process the photon…travels at the speed of light. “For a photon birth & death are simultaneous" (F.A. Wolf). This shows the power of Vision to bond with cosmic energy. In the Infrared medium, saturated hues & color displacement may be seen as POTENTIATED PHOTONIC APPEAR ANCES OF THEIR "OWN" PRIOR STATUS AS WAVES.

CRYSTALLIZATION IS THE PROCESS USED TO PRESERVE PRIOR STATES AS LATENT CHROMATIC FREQUENCIES, MAKING THAT ENERGY RETRIEVABLE TO INITIATED INDIVIDUALS BY USING ARCHETYPES & OTHER POLARIZED FIGURES. As applied to everyday conditions, the Simultaneous crystallization/discharge of local, solar, & psychic forces erupt from Repression inherent in the act of Analog Representation itself.

<aside> 👁️‍🗨️ This passage appears to be discussing the intersection of art, optics, and philosophy. The author explores the concept of the "Innocence of Becoming" as a way of staying open to the future and avoiding the constraints of blind karma. They also discuss the use of color infrared film to create images that allow for the possibility of rebirth and alter our sense of the past. The author's focus seems to be on creating art that reflects archetypal patterns and allows for a primal attunement to cosmic forces.

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Instead of direct connection with cosmic energy using the polarity of Archetypes, I'm focusing on the Parallax structure between the levels. VIEWERS CREATE THE GAP.